Categories
8_Nostalgia

Granny Bland

The baby in the feature picture is Mary Caskie, daughter of Alexander Caskie and Mary Craig.

Her father Alexander Caskie became mayor of Harrismith. She married JFA Bland II and gave birth to JFA Bland III.

JFA Bland II

JFA III Bland, called Frank, married Annie Watson Bain, daughter of Stewart Bain, mayor of Harrismith. So much of mayors, your worships!

Part of the stone wall which surrounded Granny Bland’s home in Stuart Street, Harrismith; and the oak tree her grand-daughter Pat Bland planted.

– Granny Bland’s garden wall in 2017 –
– Pat Bland planted this oak in her Granny Bland’s garden – 13 Stuart Street Harrismith –

Bain Sisters Annie Bland and Jessie Bell lived with Granny Mary Bland after their husbands died. Annie’s daughter Mary and granddaughter Barbara Mary also lived there for a while. She, Barbara, now has a daughter Linda Mary who has a daughter Mary-Kate – So much of Mary’s !

– Annie Bain Bland, Granny Bland, Jessie Bain Bell –

The old home now has an artist family living in it and has been beautifully restored.

Apparently this was Granny Bland’s – we grew up with it in our display cabimet

– Bacchus – the God of Wine, Music and Dance – absolutely the best God for 95 Stuart Street –

Granny Bland had a husband and five sons. She buried her husband and three of her sons in the same grave – later she was buried there. Her only surviving son Bunty later joined them all.

Mum says Barnie Neveling had a rather caustic tongue at times – it was he who told Mum that Frank Bland’s brother – either Bobby or Bertie – had “taken his own life” – he was a pharmacist and couldn’t live with his asthma any longer. Granny Bland spoke of it as an accidental overdose. Mum didn’t think it was necessary for Barnie to tell her that.

One of Granny Bland’s other sons, Alex, who was the Royal Hotel barman, played the piano. He cut his finger and it couldn’t straighten properly, so a friend offered to pay for the op to straighten it. Dr Reitz did the op and Alex died on the operating table. One of his favourite pieces was Rachmaninoff’s Prelude – Mum couldn’t remember the key – she sang a bit of it to me – looked it up and I think it was G Minor. Mum says that whenever it was played on the radio, they had to switch the radio off because it made Granny Bland too sad.

– not sure, but we think from Granny Bland’s home –
– Granny Bland’s hot water jug –
– we think this is from a Bland in Ceylon as POW – 1902 – Anglo-Boer War –
– Granny Bland’s silver serviette ring – which her granddaughter Mary used for years –

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For those interested, here you can see the original broken daguerreotype Sheila had, and how I digitally ‘stitched’ or ‘healed’ it with FastStone Image Viewer (lovely program):

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Categories
1_Harrismith 2_Free State / Vrystaat 8_Nostalgia Family

Many Marys

Sheila gave us the breakdown:

Mary Craig married Alex Caskie; they had a daughter

Mary Caskie, who married John Francis Adam Bland; their eldest son was

Frank, who married Annie Watson Bain; their second daughter was

Mary Frances, who married PG Swanepoel; their eldest daughter was

Barbara Mary, who married Jeff Tarr; their eldest daughter was

Linda Mary, who married Dawie Pieterse; their eldest daughter was

Mary-Kate, boss of the house, turning six this year!

– Sheila has this old daguerrotype of Great-Great Gran Mary Craig and Great Gran Mary Caskie and a suspicious chap –

In this day of easy instant photography I find it fascinating to read how this image was made:

To make the image, a daguerrotypist would – 1. polish a sheet of silver-plated copper to a mirror finish; 2. treat it with fumes that made its surface light sensitive; 3. expose it in a camera for as long as was judged to be necessary, which could be as little as a few seconds for brightly sunlit subjects or much longer with less intense lighting; 4. make the resulting latent image on it visible by fuming it with mercury vapor; 5. remove its sensitivity to light by liquid chemical treatment, 6. rinse and dry it; 7. seal the easily marred result behind glass in a protective enclosure.

The image is on a mirror-like silver surface, normally kept under glass, and will appear either positive or negative, depending on the angle at which it is viewed, how it is lit and whether a light or dark background is being reflected in the metal. The darkest areas of the image are simply bare silver; lighter areas have a microscopically fine light-scattering texture. The surface is very delicate, and even the lightest wiping can permanently scuff it. Some tarnish around the edges is normal. (thanks wikipedia)

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Nowadays a few quick sweeps of Faststone and I can hide most of the cracks of the broken glass: