Part of the stone wall which surrounded Granny Bland‘s home in Stuart Street, Harrismith; and the oak tree her grand-daughter Pat Bland planted.
– Granny Bland’s garden wall –– The oak that Pat planted –
Our great-grandmother ‘Granny Bland’ was a Caskie who married a Bland who begat Frank (JFA) Bland who married Annie Watson Bain. Bain Sisters Annie Bland and Jessie Bell lived there with Granny Bland after their husbands died. Her granddaughter – Annie’s daughter – Mary and great-granddaughter Barbara also lived there for a while, some sixty five years ago. Four generations in one home!
The old home now has an artist family living in it and has been beautifully restored.
Granny Bland’s house Stuart Street – renovated again
Mary Craig married Alex Caskie; they had a daughter
Mary Caskie, who married John Francis Adam Bland; their eldest son was
Frank, who married Annie Watson Bain; their second daughter was
Mary Frances, who married PG Swanepoel; their eldest daughter was
Barbara Mary, who married Jeff Tarr; their eldest daughter was
Linda Mary, who married Dawie Pieterse; their eldest daughter was
Mary-Kate, boss of the house, turning six this year!
– Sheila has this old daguerrotype of Great-Great Gran Mary Craig and Great Gran Mary Caskie and a suspicious chap –
In this day of easy instant photography I find it fascinating to read how this image was made:
To make the image, a daguerrotypist would – 1. polish a sheet of silver-platedcopper to a mirror finish; 2. treat it with fumes that made its surface light sensitive; 3. expose it in a camera for as long as was judged to be necessary, which could be as little as a few seconds for brightly sunlit subjects or much longer with less intense lighting; 4. make the resulting latent image on it visible by fuming it with mercury vapor; 5. remove its sensitivity to light by liquid chemical treatment, 6. rinse and dry it; 7. seal the easily marred result behind glass in a protective enclosure.
The image is on a mirror-like silver surface, normally kept under glass, and will appear either positive or negative, depending on the angle at which it is viewed, how it is lit and whether a light or dark background is being reflected in the metal. The darkest areas of the image are simply bare silver; lighter areas have a microscopically fine light-scattering texture. The surface is very delicate, and even the lightest wiping can permanently scuff it. Some tarnish around the edges is normal. (thanks wikipedia)
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Nowadays a few quick sweeps of Faststone and I can hide most of the cracks of the broken glass:
Vrystaat Confessions 