Hance Rapid at Mile 76.5 stands sentinel at the Colorado river’s entry into the Granite Gorge. The river drops 30 feet as it passes through a natural constriction formed by the Red Canyon. The dark dike cutting through the red Hakatai Shale is one of the most photographed features in the Canyon.
I found out more about the man the rapid was named after: John Hance (1840 – January 8, 1919) – thought to be the first non-native resident of the Grand Canyon.
He opened the first tourist trail in the canyon before the canyon was a national park, giving tours of the canyon after his ca.1866 attempts at mining asbestos failed. “Captain” John Hance was said to be one of the Grand Canyon’s most colorful characters, and one early visitor declared that “To see the canyon only and not to see Captain John Hance, is to miss half the show.”
Hance delighted in telling canyon stories to visitors, favoring the whopper of a tale over mere facts. With a straight face, Hance told travelers how he had dug the canyon himself, piling the excavated earth down near Flagstaff (thus ‘explaining’ those mysterious then-unexplained dirt piles).
John Hance died in 1919, the year the Grand Canyon became a National Park, and was the first person buried in what would become the Grand Canyon Pioneer Cemetery.
In May 1891 one Charley Greenlaw wrote this in John Hance’s guestbook: I can cheerfully say that this, the Grand Canon of the Colorado River, is the grandest sight of my life. As I noticed in this little book of Capt. John Hance, a great many people say ‘indescribable.’ I can say nothing more. It is beyond reason to think of describing it in any way. You must see it to appreciate it. A grand sight of this kind and so few people know of it. By accident I formed the acquaintance of two ladies en route to the Grand Canon. I joined them. We have enjoyed our trip; the stage ride from Flagstaff to the Grand Canon is grand. Good horses, competent and accommodating drivers. I have seen the Yosemite, have visited California several different times, in fact seen all the principal points of interest in the United States, but the most wonderful, awe-inspiring piece of Nature’s own work is this, the Grand Canon of the Colorado River.
Another Hance guestbook entry by J. Curtis Wasson told of the twelve hour stage coach journey after alighting from the Santa Fe Railroad Company’s train: From Flagstaff at 7 o’clock a.m. our stage-and-six goes out. Arriving at Little Springs Station, where a new relay of six horses is added, we make haste until the half-way station is reached, passing through a fine unbroken forest of Pinus ponderosa, quaking aspen, balsam fir, and spruce. The open forest, the waving grasses, the gorgeously colored mountain flowers, the occasional chirp of the forest songsters, the ice-cold springs traversing our smooth compact road, the peaks, clear-cut and massive, towering up nearly 14,000 feet into the blue above, the low rumbling of our great Concord stage, the sound of two dozen hoofs, the sharp crack of the driver’s whip, the clear, bracing atmosphere, every breath of which seems to stimulate, the indescribably beautiful Painted Desert outstretching for a hundred miles to our right.
One fain would linger on scenes like these but we have arrived at Cedar Station, and after partaking of a very refreshing luncheon we are given a new relay of horses and hasten over the desert portion of our ride to Moqui Station, where another relay is provided, which takes us to the hotel at the rim of the Grand canon, where we arrive at 7 o’clock p.m.
Leaving our Concord stage, giving our grips to the porter, not even waiting for “facial ablutions,” we hasten across the yard and up to the rim of the canon, when, looking over — the Chasm of the Creator, the Gulf of God, the Erosion of the Ages, that Erosive Entity, that Awful Abyss, lies in all its awfulness before us, — awful, yet grand; appalling, yet attractive; awe inspiring, yet fascinating in its greetings.